Sorry for the lack of posts! I have been getting settled into my routine with classes and general busyness, and I hadn’t ventured out on any excursions until yesterday.
On the way home I decided to go to the Musée Carnavalet. I’d been meaning to go for quite a while, and finally yesterday I had some spare time. Unfortunately, I didn’t realize how vast and amazing the museum would be, and I didn’t allot myself nearly enough time. The museum was much more wonderful than I expected, and I had to hurry through a lot of it. I will surely return soon to see more and hear a concert.
First, this is a FREE museum! That immediately merits points in its favor. Also, the museum is in Le Marais, a very chic right bank neighborhood near the center of Paris. The neighborhood is full of very high-fashion boutiques, art galleries, cafés, and shops. It’s always a fun place to walk around or grab a bite to eat. So before I even got to the museum, it already had potential.
I came to the museum, which is housed in two old hôtels connected by a bridge. The entrance is through a courtyard. The buildings themselves are impressive, and they make a grand backdrop for the collections. The hôtel Carnavalet was built in 1548 and showcases fantastic architectural features. The hôtel Le Peletier de Saint-Fargeau houses an incredible orangerie (greenhouse) and surrounds a beautiful garden. There are over 100 rooms in the museum, and each shows a different period or aspect of Parisian history. The overall feeling of the museum is like being in a miniature castle (but this comparison is not intended to imply that it’s small!).
"Les retardataires" (The Latecomers)
The premise of this lovely museum is that it is dedicated to the history of Paris. Therefore, visitors can walk through rooms with collections from prehistoric Paris and the Roman era all the way through the time of the monarchs, the revolution, and modern day.
When I walked into the fantastic sign gallery at the museum’s entrance, I asked the man at the table in French if I could take one of the guides. He said that I certainly could and handed me one in French. I picked up one in English and told him that it was my langue maternelle, and he said “But you speak French! Here, take the French one too and you can switch between the two.” (This is a very loose translation.) I was happy to have the compliment, and told him “Thank you, that will be good for me since I am learning.” A compliment on my French from a Parisian stranger! Happy day! (It was a very basic conversation, and not too much to brag about, but a small triumph is welcome nonetheless.)
My favorite parts of the museum were the buildings themselves and their beautiful rooms (some decorated with furniture collections), the Roman ruins in the orangerie (It’s easy to forget about the Gallo-Roman period in Paris, but there were temples, baths, an amphitheater, and everything else Roman here for about 400 years!), and the paintings in the link gallery (the bridge connecting the two buildings). Also, the concise descriptions of each historical period were good (but they are in French, so bring a Francophone friend or get a listening guide). I was a bit disappointed by the revolutionary period rooms. They mostly contained models and smaller mementos from that time.
As I was getting ready to leave the museum, they announced that there would be a classical concert with piano, violin, and singing. The cost was €10. I didn’t have time to stay and enjoy the music in this incredible setting (and imagine that I was
here in another era being entertained at a party), but I will try to come back for another concert later on.
Highlights of this museum include: the gallery of shop signs from the 16th-20th centuries at the entrance, a chess set Louis XVI used to distract himself while awaiting the guillotine, a recreation of Marcel Proust’s bedroom with his bed and other furniture, carved stones from the Roman period, Neolithic dugout canoes from 2800-2500 BC, paintings of Paris’s belle epoque in the link gallery.
New Words: grève (strike), soutien (support), chausson (a fruit-filled pastry, often in apple: pomme), les cuivres (brass instruments), salarié (salaried employee), prestation (performance)